Hi all,
Since my last post was about the holiday season, I thought I would follow it with thoughts derived from the holiday that follows Christmas. Yep, it's the good ol' new year. This year it will be 2008 and for someone growing up in the ‘70s, it’s amazing that we’ll see the year of 2010 very, very soon.
And so the new year provides us all, writers and non writers alike to look back at the past year and see both how far we’ve come and how far we’ve yet left to go. The new year is a time to assess past goals and make new ones for the upcoming year. But, this time is also a time when we think about change. How much we have changed. And how little.
As writers, we’d like to think that we’ve ‘grown’ in our writing, that is, that we’ve been able to show more complexity in our work. But since many of our readers fell in love with our first novel, is this change indeed a good thing?
Though one’s writing should develop more depth as one becomes hopefully, more adept at writing novels, I think that one should not lose sight of what the readers enjoyed about one’s first novel. Therefore, in order to ‘recapture’ what your readers enjoy about your work, I think you should reread yourself from time to time.
Now, I’m not saying that every week you should pull your book(s) off of your bookshelf and read yourself with that much repetition. However, though, I do feel that unless you read yourself semi-regularly (maybe a few chapters every month or so), you might eventually move so far away from your original inner voice that you will be distancing yourself from your readers.
As I’ve said previously in this blog entry, everyone ‘changes’/grows/develops every year. And yes, that is a good thing. However, keeping one’s inner voice consistent is important, especially if you’re doing a book series and wanting to keep your original fans interested in your current work. By not rereading your own work, you may find that you have drifted too far from your original voice and so, perhaps, be writing ‘better’ than you’ve written, but your new books will not match the old ones. In other words, your voice won’t ‘sound’ the same to your old fans. This is not a good thing since your old fans may not find that they enjoy your new/improved writer's voice and so, may move on to other authors/other books.
I guess the ‘trick’ of it all then, is to be able to reread one’s work (again, not rereading an entire novel but perhaps a chapter or two a month) and try to remember what it was that readers enjoyed about your universe enough to purchase your work. I think that if the writer keeps doing this from time to time, they then, can move forward in a sense and keep developing as a writer. You might lose a piece of your original ‘voice’ (original voice may shift/change a bit over time) but you will still keep the essence of what it is that your fans enjoy about your universe/characters in tact.
Before I was a writer, I was an avid reader in the romance genre, particularly in the vampire romance genre. I have many favorite authors and the most wonderful thing for me as a reader is to be able to purchase their new novel and on beginning to read them, ‘feel’ their voice talking to me as I read. It’s comforting as a reader (some authors I’ve been reading over 20 years) to be able to reconnect in a sense with the author’s inner voice and the knowing that they’ve kept the original magic of their first book going over the entire series (and is present in their new book).
So, in summation, I’d say that change is good but as a writer, one should be aware of one's changing over time. I wouldn’t say not to change your ‘voice’ but I’d say that if you’re working on making each succeeding novel ‘better’ understand and try to keep the essence of what made your faithful readers/fans first want to buy and read your work in the first place. Again, I believe that a writer can achieve these two distinct and opposing sounding goals (growing as a writer while trying to keep your original voice the same) by rereading themselves occasionally. Only by revisiting one’s old work can one be able to see the past and be able to plan and build for the future.
Take care all,
Chris
PS--Next up: 19th Century French characters named Bob or why one should choose appropriate names for your characters.
Sunday, December 9, 2007
Saturday, December 1, 2007
The Writing Notebook: An indispensable tool for Writers
Hi all,
Yep, it’s that time of year again. The holiday season. And while it’s one of my favorite times of the year, it can get even crazier in my household than normal (and that’s saying something!LOL).
Though I read and write romance novels, I am still single. Therefore, I’m in charge with what goes on in my household. Besides decorating, shopping and planning, I have other chores to do like ‘Um, why is the light not working, sigh?’ for example and so I must put my writing aside and deal with the crises at hand.
What’s hard as a writer is to not only find the time to write but to be able to set aside said writing to go deal with running a household, your day job and other things and then, go back to writing again. Yeah, sometimes writing is analogous to making love, I.e., you need to get back into the ‘right’ mood:)
So how does a writing notebook help you toward this? Well, let me give an example. There’s a couple of projects I want to work on but keep getting interrupted. Putting things down on paper will allow you as a writer, to come back to your work at a later time and thus to be able to begin working again more quickly.
Though what’s written in my writing notebook may not be as decipherable as a story or parts of a novel to most. It contains short phrases, descriptions of setting/characters and smatterings of dialogue, just to name a few things of what is written in there. Is everything in a linear order? Most but not all. Yeah, I do have arrows drawn linking ideas to different things because sometimes I write all over the page including in the margins.
Some writers use post it notes and I can understand that in some ways since I used index cards as a student to write my non-fiction research papers (index cards with ideas written on them *are* easier to shuffle) but I have a problem of losing stuff so I tend to prefer the solidness and dependability of keeping everything in one place, that is, the notebook.
I’m almost 40 and didn’t start writing my work on a computer until I was about 20 so my writing notebook is done by hand. I dunno, it’s probably my age but I do like to physically write my ideas down on paper. It somehow lets me plan everything out and feel ’closer’ to my ideas/story than when I type things on a computer. For me, the computer provides a bit of distance, something that physical writing does not. But talking with other writers who are younger than me, the former is not true for them. So yeah, it’s probably my age and therefore, your notebook, I guess can be digital. Though when you’re between writing ideas, you can’t doodle (as easily) on a computer page:)
To sum up then, I think a writing notebook is good for us writers since it acts as a ‘second brain’ as such to provide a safe and a secure place (harder to lose notebook than index cards) to store ideas until future use.
A writing notebook is also good because you can store ideas about your universe, including character descriptions and plot. I’m one of those writers who set up an outline before I write my book/story and so writing a plot in a notebook allows me to physically see if a story or book will ‘work’ before I go in a start writing it. Also, if you have your plot written out in your notebook, you can also see where the plot points are and how ‘balanced’ everything is (that your book/story isn’t lopsided in that everything important doesn’t happen in the last five pages or so while you have nothing interesting for the first couple of hundred).
Finally, if you are involved in writing a universe and plan to write two, three, four, five or even more books about the same characters, keeping a writing notebook will allow you to record minor details. In other words, if you want to look up a specific thing (what present character 1 gave to character 2 on first Christmas for example) you won’t have to reread your entire book or large sections of your books to do this. Though I do suggest that writers do reread their books from time to time, but that is again, the subject of another post. Keeping facts, character traits, etc. in a writing notebook is important because then, you can save time by not rereading entire large sections of your book to find out a single fact that you may have forgotten and get back to doing what you need to be doing, that is, writing another book.
Take care all,
Chris
Yep, it’s that time of year again. The holiday season. And while it’s one of my favorite times of the year, it can get even crazier in my household than normal (and that’s saying something!LOL).
Though I read and write romance novels, I am still single. Therefore, I’m in charge with what goes on in my household. Besides decorating, shopping and planning, I have other chores to do like ‘Um, why is the light not working, sigh?’ for example and so I must put my writing aside and deal with the crises at hand.
What’s hard as a writer is to not only find the time to write but to be able to set aside said writing to go deal with running a household, your day job and other things and then, go back to writing again. Yeah, sometimes writing is analogous to making love, I.e., you need to get back into the ‘right’ mood:)
So how does a writing notebook help you toward this? Well, let me give an example. There’s a couple of projects I want to work on but keep getting interrupted. Putting things down on paper will allow you as a writer, to come back to your work at a later time and thus to be able to begin working again more quickly.
Though what’s written in my writing notebook may not be as decipherable as a story or parts of a novel to most. It contains short phrases, descriptions of setting/characters and smatterings of dialogue, just to name a few things of what is written in there. Is everything in a linear order? Most but not all. Yeah, I do have arrows drawn linking ideas to different things because sometimes I write all over the page including in the margins.
Some writers use post it notes and I can understand that in some ways since I used index cards as a student to write my non-fiction research papers (index cards with ideas written on them *are* easier to shuffle) but I have a problem of losing stuff so I tend to prefer the solidness and dependability of keeping everything in one place, that is, the notebook.
I’m almost 40 and didn’t start writing my work on a computer until I was about 20 so my writing notebook is done by hand. I dunno, it’s probably my age but I do like to physically write my ideas down on paper. It somehow lets me plan everything out and feel ’closer’ to my ideas/story than when I type things on a computer. For me, the computer provides a bit of distance, something that physical writing does not. But talking with other writers who are younger than me, the former is not true for them. So yeah, it’s probably my age and therefore, your notebook, I guess can be digital. Though when you’re between writing ideas, you can’t doodle (as easily) on a computer page:)
To sum up then, I think a writing notebook is good for us writers since it acts as a ‘second brain’ as such to provide a safe and a secure place (harder to lose notebook than index cards) to store ideas until future use.
A writing notebook is also good because you can store ideas about your universe, including character descriptions and plot. I’m one of those writers who set up an outline before I write my book/story and so writing a plot in a notebook allows me to physically see if a story or book will ‘work’ before I go in a start writing it. Also, if you have your plot written out in your notebook, you can also see where the plot points are and how ‘balanced’ everything is (that your book/story isn’t lopsided in that everything important doesn’t happen in the last five pages or so while you have nothing interesting for the first couple of hundred).
Finally, if you are involved in writing a universe and plan to write two, three, four, five or even more books about the same characters, keeping a writing notebook will allow you to record minor details. In other words, if you want to look up a specific thing (what present character 1 gave to character 2 on first Christmas for example) you won’t have to reread your entire book or large sections of your books to do this. Though I do suggest that writers do reread their books from time to time, but that is again, the subject of another post. Keeping facts, character traits, etc. in a writing notebook is important because then, you can save time by not rereading entire large sections of your book to find out a single fact that you may have forgotten and get back to doing what you need to be doing, that is, writing another book.
Take care all,
Chris
Friday, November 23, 2007
Writing about moral villains/vampires
Hi. Yep, it’s yet another post about writing humanistic villains. And you’re probably sick and tired of hearing all the reasons because it’s been done over and over again. But just hear me out this once.
Although I consider ‘moral vampires’ to be rather an oxymoron (I‘ll save my thoughts on that one for another post), I do write my immortals fairly human like and here’s why. First of all, I think it makes the story/novel more interesting if you write about sentient beings. Yeah, non-sentient creatures can be very scary (Zombies creep me out, yuck!) as they are coming at you to kill you but there they akin to being a ‘force of nature’, almost things rather than people. So, while you can write great action sequences, most of your story needs to concentrate on the humans and what they’re feeling. Because once you make your villains non-sentient, you can’t write about their personalities. And that makes can make your story less complex and interesting.
OK, so now you’ve got your sentient villains. But why make them ‘good’ instead of ‘evil’? Since I’m a math/science person in my day job, I’ll explain it first in terms of that. Statistically speaking, writing very human villains, you, as a writer, get more ‘degrees of freedom’ out of your character. So what does that mean? Simple. If your character is ‘good’ on the outside, you can still layer him/her with some interesting stuff on the inside. For example, as you probably know from reading my work (if not, please consider reading my first novel “Vampires at the Opera”, click link on my user page to buy), I write a very romantic and fairly moral Dracula character. His soul mate is Mina and he is both loyal to her and to her son, Quincey who is the biological son of Jonathan Harker.
However, I still consider Dracula to be Dracula in that most of the historical stuff written about him (killing all those people) really happened. So, in my work, I have the ability and the freedom/flexibility to slowly strip off the layers of my Dracula character (or pull them off all at once) to reveal some less moral sides of him. I can have him do some unsavory acts and it will be logical (and unsettling as well) to the reader for him to have done these things. Because yeah, after all, he is Dracula.
Some people write the opposite way, that is, they write a very evil character that every once in awhile shows a flash of good. But for me, I’d like my readers to be able to sympathize with my immortal characters and feel like they know them. In this way then, when the character acts badly, the reader will be left unsettled (which is not a bad feeling for one’s reader to have in my opinion at times) and will need to think further about different issues, philosophies, etc that are raised in the stories/books. I think one can get the reader to feel close to the characters (make the reader feel disturbed at what the vampire has done) if you start out writing the character as a villain. In other words, if you write the character as evil, there is no way to go but down. If you start off writing the character as moral, you get much more flexibility in your character and subsequently, in your universe as well since there are many directions he/she can go. Therefore, then, I believe that a ‘moral’ villain is a more complex one and can make your stories/novels more interesting to your readers. And you can also write about their relationship with their kids. Which is what my second and third books in my series will be about.
Take care all,
Christine
Although I consider ‘moral vampires’ to be rather an oxymoron (I‘ll save my thoughts on that one for another post), I do write my immortals fairly human like and here’s why. First of all, I think it makes the story/novel more interesting if you write about sentient beings. Yeah, non-sentient creatures can be very scary (Zombies creep me out, yuck!) as they are coming at you to kill you but there they akin to being a ‘force of nature’, almost things rather than people. So, while you can write great action sequences, most of your story needs to concentrate on the humans and what they’re feeling. Because once you make your villains non-sentient, you can’t write about their personalities. And that makes can make your story less complex and interesting.
OK, so now you’ve got your sentient villains. But why make them ‘good’ instead of ‘evil’? Since I’m a math/science person in my day job, I’ll explain it first in terms of that. Statistically speaking, writing very human villains, you, as a writer, get more ‘degrees of freedom’ out of your character. So what does that mean? Simple. If your character is ‘good’ on the outside, you can still layer him/her with some interesting stuff on the inside. For example, as you probably know from reading my work (if not, please consider reading my first novel “Vampires at the Opera”, click link on my user page to buy), I write a very romantic and fairly moral Dracula character. His soul mate is Mina and he is both loyal to her and to her son, Quincey who is the biological son of Jonathan Harker.
However, I still consider Dracula to be Dracula in that most of the historical stuff written about him (killing all those people) really happened. So, in my work, I have the ability and the freedom/flexibility to slowly strip off the layers of my Dracula character (or pull them off all at once) to reveal some less moral sides of him. I can have him do some unsavory acts and it will be logical (and unsettling as well) to the reader for him to have done these things. Because yeah, after all, he is Dracula.
Some people write the opposite way, that is, they write a very evil character that every once in awhile shows a flash of good. But for me, I’d like my readers to be able to sympathize with my immortal characters and feel like they know them. In this way then, when the character acts badly, the reader will be left unsettled (which is not a bad feeling for one’s reader to have in my opinion at times) and will need to think further about different issues, philosophies, etc that are raised in the stories/books. I think one can get the reader to feel close to the characters (make the reader feel disturbed at what the vampire has done) if you start out writing the character as a villain. In other words, if you write the character as evil, there is no way to go but down. If you start off writing the character as moral, you get much more flexibility in your character and subsequently, in your universe as well since there are many directions he/she can go. Therefore, then, I believe that a ‘moral’ villain is a more complex one and can make your stories/novels more interesting to your readers. And you can also write about their relationship with their kids. Which is what my second and third books in my series will be about.
Take care all,
Christine
Tuesday, November 20, 2007
Rah, Rah for Vamps
Hi all,
In the past twenty years or so, there’s been an explosion of vampires in film, in literature and on tv. However, the challenge for me, as a huge vampire fan, has been to find that which supports and promotes vampirism as being a positive thing. You know, the joke around my writing community is the phrase “you say vampire like it’s a bad thing”. But I digress…..
So, yeah, I read vampire stuff, I write vampire stuff. At my core, I am pro vampirism. And the important question I have to keep asking myself as a writer is “Why?”, that is, I have to keep challenging my beliefs and try to dig down to explore just why I think it is at least equal to being human. Which is what you should do in general. Every now and then, challenge yourself to think about why you believe certain things that you do.
This can be a problem because there has been so much written that is negative about vampirism. From the simple change in dietary habit to the forever damned loss of a soul idea, vampires seem to have it rough. So why do some vampires, particularly those in my universe, like being vampires?
For me, this is a complex question with a many faceted answer. I feel like I’m cheating in that I’m not going to write the answer to my question here. But really, I can’t. It isn’t simple and can’t be done in one page. Or even, in one book for that matter. I see the answer as being not only multi-layered but also being different from vampire to vampire. So, really, to write a response would actually be cheating here in that the ‘answer’ would not be the ‘real’/’true’ answer.
Now, on the flip side, I don’t think being a human is necessarily superior to vampirism. Well, some of my characters do but then, they are them and I am me. Right now, as a writer, I feel they’re both about equal.
I guess then, what I want to do with my universe is to explore the upside as well as the downside of vampirism. What makes vampires tick or not (in my universe, their hearts don’t beat). And exploring that issue is what makes writing fun for me. And hopefully, enjoyable for my fans to read.
They always say “Life is not a destination but a journey”. I think you can apply that idea to writing as well:)
Take care all,
Chris
PS--Up next: My thoughts on writing moral vampire characters.
In the past twenty years or so, there’s been an explosion of vampires in film, in literature and on tv. However, the challenge for me, as a huge vampire fan, has been to find that which supports and promotes vampirism as being a positive thing. You know, the joke around my writing community is the phrase “you say vampire like it’s a bad thing”. But I digress…..
So, yeah, I read vampire stuff, I write vampire stuff. At my core, I am pro vampirism. And the important question I have to keep asking myself as a writer is “Why?”, that is, I have to keep challenging my beliefs and try to dig down to explore just why I think it is at least equal to being human. Which is what you should do in general. Every now and then, challenge yourself to think about why you believe certain things that you do.
This can be a problem because there has been so much written that is negative about vampirism. From the simple change in dietary habit to the forever damned loss of a soul idea, vampires seem to have it rough. So why do some vampires, particularly those in my universe, like being vampires?
For me, this is a complex question with a many faceted answer. I feel like I’m cheating in that I’m not going to write the answer to my question here. But really, I can’t. It isn’t simple and can’t be done in one page. Or even, in one book for that matter. I see the answer as being not only multi-layered but also being different from vampire to vampire. So, really, to write a response would actually be cheating here in that the ‘answer’ would not be the ‘real’/’true’ answer.
Now, on the flip side, I don’t think being a human is necessarily superior to vampirism. Well, some of my characters do but then, they are them and I am me. Right now, as a writer, I feel they’re both about equal.
I guess then, what I want to do with my universe is to explore the upside as well as the downside of vampirism. What makes vampires tick or not (in my universe, their hearts don’t beat). And exploring that issue is what makes writing fun for me. And hopefully, enjoyable for my fans to read.
They always say “Life is not a destination but a journey”. I think you can apply that idea to writing as well:)
Take care all,
Chris
PS--Up next: My thoughts on writing moral vampire characters.
Sunday, November 4, 2007
Another ‘little’ overlooked aspect in writing: The Set
Hi all,
Awhile ago on this blog, I talked about characters and their traits, that is, to keep the character’s physical attributes consistent. Know whether they’re left handed (Phantom, Dracula) or right handed (Mina, Christine). Also, be careful of hair color, eye color and height of the characters (even the ‘minor’ ones) and make certain they stay the same throughout the course of not only your novel but also of your series of books, if you’re writing one (like I am at the present).
So now you have all the details of the characters. But you’re missing an important aspect. Scenery. Huh? You might be saying to yourself now. I’m not doing a play, I’m writing a novel. Well, yes, but that detail is as important for one as it is for the other. If you’re still confused, let me explain.
One of my favorite authors is a beautiful descriptor of scenery in her books. She describes everything. What the characters are wearing, what the furniture looks like. Even the patterns on the drapes hanging in one of the rooms. Wow. But yeah, she’s an amazing writer and that’s why this woman is one of my favorite authors. But I digress.
Describing scenery allows the reader to place the characters in his/her mind in a ‘space’ in their imagination. The more detailed the description, the more ‘real’ the scene may feel for the reader reading it. Now, one can go overboard with too many descriptions but my post was not about that so I won’t mention that aspect. However, I should just say that describing one’s scene should help set the tone for the story and enrich the action/emotion for the reader reading it. Too much description can remove the reader emotionally from the story. But yeah, description of the scene is a good thing.
Now, you’re done writing several scenes of the book, maybe even completed the first novel. And in the second novel, story, you have to revisit one of those scenes. The most important piece of advice that I can give my fellow writers in this situation is to make certain that the scenery and the furniture does not change. In other words, if there is a brass bed in the room, in the second book, unless the characters went shopping, the bed stays brass. And if there’s two chairs in the room in book one, there should be the same amount in the second book. Particularly, if you described the room or the furniture in detail. Again, at least IMO, it is important to stay consistent not only within the book but within one’s series.
So how does one keep track of all those ‘minor’ but very important details? A writing notebook. I have one where I keep a list of all my characters, short physical descriptions, short bios of each character and also, the rooms that I use for the scenes. In that way then, I can use my writing notebook as my ‘encyclopedia’ of information for my Dracula-Phantom universe and can ‘look up’ any detailed information I may have forgotten. I also suggest that you draw a picture of the setup of each ‘scene’ so that you can see the placement of the furniture in the room. That way, a character can stand with the chair on in right both in book one. And later then, in book five. Do you have to be so exact with the details? Well, no but IMO, it shows that you’re not only worrying about the ‘big’ picture of your novel/universe (characters, plot) but also, about the ‘little’ things in one’s book/universe. And in doing so, your longtime readers will appreciate you for it. And keep buying your books. Which is always a good thing:)
Until next time, take care all,
Chris
Awhile ago on this blog, I talked about characters and their traits, that is, to keep the character’s physical attributes consistent. Know whether they’re left handed (Phantom, Dracula) or right handed (Mina, Christine). Also, be careful of hair color, eye color and height of the characters (even the ‘minor’ ones) and make certain they stay the same throughout the course of not only your novel but also of your series of books, if you’re writing one (like I am at the present).
So now you have all the details of the characters. But you’re missing an important aspect. Scenery. Huh? You might be saying to yourself now. I’m not doing a play, I’m writing a novel. Well, yes, but that detail is as important for one as it is for the other. If you’re still confused, let me explain.
One of my favorite authors is a beautiful descriptor of scenery in her books. She describes everything. What the characters are wearing, what the furniture looks like. Even the patterns on the drapes hanging in one of the rooms. Wow. But yeah, she’s an amazing writer and that’s why this woman is one of my favorite authors. But I digress.
Describing scenery allows the reader to place the characters in his/her mind in a ‘space’ in their imagination. The more detailed the description, the more ‘real’ the scene may feel for the reader reading it. Now, one can go overboard with too many descriptions but my post was not about that so I won’t mention that aspect. However, I should just say that describing one’s scene should help set the tone for the story and enrich the action/emotion for the reader reading it. Too much description can remove the reader emotionally from the story. But yeah, description of the scene is a good thing.
Now, you’re done writing several scenes of the book, maybe even completed the first novel. And in the second novel, story, you have to revisit one of those scenes. The most important piece of advice that I can give my fellow writers in this situation is to make certain that the scenery and the furniture does not change. In other words, if there is a brass bed in the room, in the second book, unless the characters went shopping, the bed stays brass. And if there’s two chairs in the room in book one, there should be the same amount in the second book. Particularly, if you described the room or the furniture in detail. Again, at least IMO, it is important to stay consistent not only within the book but within one’s series.
So how does one keep track of all those ‘minor’ but very important details? A writing notebook. I have one where I keep a list of all my characters, short physical descriptions, short bios of each character and also, the rooms that I use for the scenes. In that way then, I can use my writing notebook as my ‘encyclopedia’ of information for my Dracula-Phantom universe and can ‘look up’ any detailed information I may have forgotten. I also suggest that you draw a picture of the setup of each ‘scene’ so that you can see the placement of the furniture in the room. That way, a character can stand with the chair on in right both in book one. And later then, in book five. Do you have to be so exact with the details? Well, no but IMO, it shows that you’re not only worrying about the ‘big’ picture of your novel/universe (characters, plot) but also, about the ‘little’ things in one’s book/universe. And in doing so, your longtime readers will appreciate you for it. And keep buying your books. Which is always a good thing:)
Until next time, take care all,
Chris
Saturday, October 20, 2007
Vampires at the Opera tie-in merchandise..........
Hi all,
After talking with some of you, there were some people interested in buying t-shirts and other merchandise with the "Vampires at the Opera" cover art. I really love the picture adorning the front of my novel. Thanks, Linda for making it look so striking.
If you want to buy the tie-in merchandise, please go here http://www.cafepress.com/vampiresatopera
We are selling through the website, cafepress.com.
With both vampires and Phantom, how could one resist? I'm buying my own t-shirt as well:)
Thanks again for your support!
Take care,
Chris
After talking with some of you, there were some people interested in buying t-shirts and other merchandise with the "Vampires at the Opera" cover art. I really love the picture adorning the front of my novel. Thanks, Linda for making it look so striking.
If you want to buy the tie-in merchandise, please go here http://www.cafepress.com/vampiresatopera
We are selling through the website, cafepress.com.
With both vampires and Phantom, how could one resist? I'm buying my own t-shirt as well:)
Thanks again for your support!
Take care,
Chris
Thank you to my fans!
Hi all,
Just wanted to make a short post to thank those that have purchased my first novel, "Vampires at the Opera". I really appreciate your support for my universe and hope that you will stay around to watch the universe expand and deepen. I'm working on the second book now:)
Also, some good news for you all. There is a strong possibility that my publishing company may sell t-shirts, mugs and other items with the book cover art. Stay tuned for details. I will post a link when these become available.
Take care all,
Chris
Just wanted to make a short post to thank those that have purchased my first novel, "Vampires at the Opera". I really appreciate your support for my universe and hope that you will stay around to watch the universe expand and deepen. I'm working on the second book now:)
Also, some good news for you all. There is a strong possibility that my publishing company may sell t-shirts, mugs and other items with the book cover art. Stay tuned for details. I will post a link when these become available.
Take care all,
Chris
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